Have you seen my new video? It’s the OTHER summer single from my Bronx Cheer album, “Wildwood Moon”!
Single available on Wicked Cool Records: stevecontewcr.bandcamp.com/album/bronx-ch…
Here’s a link to the episode of the Dutch TV show GLORY DAYS featuring myself, my son Zia & the fab Maureen Van Zandt! (It changes to English for my interview, don’t worry…)
My interview segment includes a snippet of a song from my new summer NJ Shore video/single – coming out tomorrow! My son & I also perform some of our original songs…
In Episode 7 of Indie Cafe 2wo, award-winning album designers Spencer Drate and Judith Salavetz, and producer/recording artist Patrick Bamburak welcome the prolific recording artist and guitarist Steve Conte. Conte’s highly-anticipated new album “Bronx Cheer” has just been released to wide acclaim. In this interview, Conte takes us through an album by album tour tracing his long career in music as a solo artist, go-to guitarist, and band leader – including notable stops with The New York Dolls and The Michael Monroe Band along the way.
Steve & Michael join Alice & the band for the final encore @ Oasis in Swindon, UK in 2016.
Steve speaks: “One of the greatest musical days of my life; after soundcheck I spent the afternoon hanging out with my songwriting hero, Andy Partridge (XTC) & his engineer Stu Rowe, then came back to the arena and played a big rock show with Michael Monroe & the boys opening for Alice Cooper and finally, got called up onstage by Alice & his band to join them on one of the most ubiquitous rock songs of my childhood!! Pinch me…”
(Thank you Ryan Roxie & Tommy Henriksen!)
In memory of Sylvain Sylvain, the heart & soul of the New York Dolls, Steve performs a medley of 2 songs that belong together for good reason – The Ronettes’ “Walking In The Rain” & the New York Dolls’ “Take A Good Look At My Good Looks” – Steve recalls the story:
“The Dolls used to jam on ‘Walking In The Rain’ at soundcheck on tour and when we ended it, Syl would keep playing this particular chord sequence, inspired by the Ronettes song. I remember telling him it was such a good feel that we should make a song out of it. When it came time to make our album “One Day It Will Please Us To Remember Even This’ the band jammed on the song idea and Johansen made up some words for it, verses and chorus, but it needed a bridge. I came up with the middle part (influenced by Al Green’s ‘Let’s Stay Together’) and – voila – the song was born.” Happy heavenly birthday Sylvain – on this Valentine’s Day and every one hereafter.
Starting at Midnight PST Tonight – Not only will it be Bandcamp Friday when artists get 100% of the revenue for sales of their music – it’s my Bronx Cheer Black Friday Flash Sale!!
Save $ on every item in 3 different bundles that include T-Shirts, Vinyl & CDs – plus a FREE Steve Conte NYC Album download with every order! It’s a Win-Win! Go to:
It’s goes LIVE at Midnight PST , (that’s West Coast time, New Yorkers!)
The sale is only for 5 days – Black Friday till Cyber Tuesday … November 26 through November 30.
See & hear me yapping about it on YouTube here: https://www.youtube.com/watch?v=HzFBp8ZSncE
#BlackFriday#Sale #BandCampFriday #BronxCheer #SteveConte #WickedCool #Records #StevenVanZandt #LittleSteven #UndergroundGarage #RockAndRoll #Vinyl #Album #CD #tshirt #Deals #NYC
Ladies & gentlemen: I have exciting news!
My new album, BRONX CHEER is out now on CD, Vinyl & Digital on Wicked Cool Records (signed copies also available!)
Give it a listen…I believe this is my best album ever.
“The latter-day New York Dolls guitar slinger defies expectations with a stunning solo album that features everything from punk and roots-rock to vintage Stax soul.”
– Tinnitist.com, on ‘Bronx Cheer’.
So many talented guest artists on this album; Chris Spedding, Charley Drayton, Clem Burke, John Conte, Andy Rourke, James Maddock, Willie Nile, Sophia Ramos, LaLuan Carter-Dent, Nicki Richards, Craig Dreyer, Andrew Hollander, Zia & Baz Conte!
For UNSIGNED Vinyl, CDs or Digital Downloads go to: https://orcd.co/bronxcheer
*All visuals were virtually created, nothing real or human in it!
New York City guitarist, singer and songwriter Steve Conte has found the way back to center stage with his first solo album in five years, the attitude-infused Bronx Cheer, releasing Friday, November 5th on Wicked Cool Records. Bronx Cheer is brimming with the spirit of New York both past and present. “I remember the danger, dirty streets, the garbage strike, sleazy 42nd Street,” Conte recalls of his first visits to the city as a kid in the 1970s. “When I moved here in the mid-1980s it was not all that different – but it’s very different now. Yet somehow, I still love it – and hate it. To me that’s what the Blues and Punk Rock have in common – complaining!”
Long known for his memorable guitar work as a member of New York Dolls, as well as former Hanoi Rocks frontman Michael Monroe’s band (with whom he still performs), Steve found international fame in recent years via his collaborations with Japanese composer and artist Yoko Kanno on the soundtracks to several hit anime series, including Cowboy Bebop.
The album’s 11 tuneful new songs, all written by Conte (with one co-written by Brynn Arens) swing like a citified update on Paul Westerberg or Old 97’s. The core of Bronx Cheer consists of Steve on guitar and vocals with bass by his brother John Conte (Southside Johnny & The Jukes, David Bowie, Ian Hunter) and the renowned Charley Drayton (Keith Richards, Iggy Pop, The Replacements) on drums.
And here we have the video for the album’s lead single “Recovery Doll,” a fast-paced tale of excess that traces a descent from fun times to darker spaces. Blending old school rock and roll, doo wop background vocals, and a healthy dose of New York attitude, the song is a fast-paced guitar rocker that is hard-hitting, infectious and fun. The video combines live action with digital effects to create an effect that is simultaneously bizarre and engaging.
Steve describes the inspiration & process behind the song & its music video:
“I presented this song to both New York Dolls and Michael Monroe, so it was written with a fun and punky feel in mind. But then, in keeping with my usual Libra contrast/balance, the subject matter gets serious about addiction and recovery. I was thinking of a lot of people when making the composite person that the song is about: Amy Winehouse, Sylvain, Killer Kane & Thunders from the Dolls, Hendrix, Janis, Prince, Petty, etc. We are always rooting for them to recover, but sometimes they go the other way. When I came up with the girl-group background vocals – “mm-bop-shoo-bop” – I knew I had to put my then-11-year-old son Zia’s voice on top of the girls. He’s been singing his butt off since he was a toddler. I had him sing on the Michael Monroe track “Child Of The Revolution” when he was three!. When I approached (director) Tim (Roth) about making this video I said 3 things: The images should include a female rocker, a dirty hospital, and a sense of struggle. It was a fine line to walk because the sound of the song is very much upbeat, fun rock n roll – but the subject matter is somewhat heavy, about addiction and recovery – so I wanted it to be cartoonish but with an edge. This is always my struggle as a Libra- maintaining this sense of balance, between light/dark…but I think in the end, we nailed it! We had to make the video this way because it was during Covid times when musicians were not playing together in the same room, so I knew it couldn’t be a live band video – and I didn’t want to film just me playing solo so I thought I’d go for a whole different concept. And the digital domain is Tim’s world.”
Video Director Tim Roth adds his own two cents:
“When Steve Conte came to me with the idea of doing a music video for his new single “Recovery Doll,” I thought it would be a great opportunity to try out some new visual techniques I’ve been playing with lately. Steve’s original concept was to use still photographs of a “rocker chick” in various states of disrepair, backed by some concert scenes, showing a slow decline in the life of a celebrity musician. I knew finding photographs depicting exactly the scenes I’d need would be nearly impossible, so I decided to create a complete CGI backdrop, complete with CGI characters, which would allow me to build any scenes I needed. This entire video was created in Unreal Engine using the new MetaHuman creator to create the “actors.” Visually, I took my cue from the album artwork, I wanted to keep it looking a bit surreal and slightly cartoonish, while still having a bit of fun with the “blowup doll” concept.”